If you love to read, you probably can’t imagine why someone would not like to read. But if you talk with kids, or the grown ups they’ve become, it’s not hard to find out why they don’t. Often you’ll find they were treated something like the following when they were learning to read:

First misstep is when we treat kids as little passive dummies that we adults pour “stuff” into. Ain’t so! They are have lives, they have interests, they have concerns, they have thoughts about their world. They are involved.

If that’s the case, what happens when we read aloud to them or give them a “bad” book–one that’s poorly written, one that has nothing to do with their lives or worlds, one that in uninteresting? The sheer mechanical act of reading is not enough to make a reader. They probably have the same reaction that children’s book author Jon Scieszka had:

“At school I was trying to learn to read by deciphering stories featuring two lame kids named Dick and Jane. They never did much of anything exciting. And they talked funny. If this was reading, I wondered why anyone would bother.”

“Bad” books would make any thinking child wonder, “WHY bother!” Or to put the shoe on the other foot, what if you were in their position? What if someone gave you books with bad, uninteresting stories to read? After you read one, would you want to read another? Why do we ask our kids to do something that we wouldn’t even do?

There’s too many good books out there with good stories to risk losing a child’s interest in reading by insisting they read a bad one or one they don’t like. Those first years of being read to and then learning and practicing reading are just too critical.

Thanks to Anita Silvey for the Scieszka quote and check out her blog, Children’s Book-A-Day Almanac for a daily dose of “good” stories and books for kids of all ages.

Off my soapbox now, ;-)

Babette

 

I began my school year visits to Head Start in the past few weeks.  I’m a new piece of the school day for most of the kids so I talk about who I am, where I work, and what a library is. While explaining about how the library has lots of books, I asked who had a book of their own at home (hoping to then talk about how they could come get more at the library!).

One child raised his hand.

I know this. But it still took my breath away.

This is why we do storytimes. This is why we have book giveaways. This is why we have libraries in neighborhoods and in the poorer parts of town. This is why we are librarians and teachers and Friends of the Library members and Board members and active parents.

This is why we read to kids. Because during that week, that may be the only time they see how to use a book. That may be the only story they hear. That may be the only time they sing a song and have fun with words.

That may be the only time that week that the part of their brain that’s trying sooooo hard to develop language–it may be the only time it gets fed.

Support programs that give good, new books away. And read to a child. You’ll change a life,

Babette

Does reading aloud really make a difference?

It’s just a book. It’s just a few minutes. (Or maybe a few seconds, if you’re reading to a baby. ;-) ) You’re just a (fill in the blank); you don’t know anything about teaching a child to read.

Is it really making a difference?

Absolutely! The results will not show up for 1-5 years (in other words, not until after a child is developmentally ready to learn to rad around age 6-7 and after he or she starts school). Here’s one reason, though, why you can trust that those minutes of reading aloud are making a difference:

  • According to 2009 U.S. Census Bureau data, about half of children under 5 are read to seven or more times a week by a parent or family member.
  • Children under age 5 whose families are living below the poverty line were more likely to be read to seven or more times a week in 2009 (45 percent) than in 1998 (37 percent).

Both those statistics are reported by Early Martin Phelan and you can read more here.

Read on!

Babette

 

If you are a Colorado librarian and you were at the state CAL conference last year and you heard keynote speaker Stephen Krashen, you already know this.

But for those of you who missed out (and you really did miss out on a stellar speech), research looking at 250 in Florida shows that–

Poverty is the biggest predictor of a child’s reading level. The higher the poverty, the lower the reading level.

Join Krashen’s Twitter feed, read his book The Power of Reading, hear him speak and you will hear him say it over and over again–It’s the poverty. Krashen’s been preaching this for years.

It’s not how early or late we start the reading instruction, it’s not how or how often children are assessed, it’s not class size, teacher resources, ethnicity–It’s the poverty.

Read more here, Poverty, Reading Scores, and Resilient Schools. It confirms what we know. It’s clear and straightforward. It’s our challenge as a society to be truthful and focus on the real problem and not be sidetracked.

Spread the word,

Babette

What makes a reader? Someone who is read to and someone who reads. It’s that simple. How many words does a child consume–that’s the make or break point.

Many of my conversations with concerned parents are some variation of the “it’s the number of words” talk. Statistics from the new National Literacy Trust report bear this out.

Here’s a few:

  • 8 out of 10 children who read ten or more books a month are above average readers.
  • 77% of children who read for an hour or more at a time are above average readers.
  • Only 4% of children who read for an hour or more at a time are below average readers.

Basically, the longer a child reads, the more practice they get, the more words they read, the more internal reinforcement they get from the process (because the more they read, the easier it gets, and the more fun it becomes).

Interestingly enough, text messaging words don’t seem to apply–or at least not as well as sitting down with a novel. Children who read text messages but not novels are twice as likely to be below average readers. More research here would be great. My hunch is that it’s not the same because texts come in little chunks rather than continuous streams, ie, try to read texts for over an hour without interruption. :-)

Want to read more? Here’s the summary article and link to the research. Or read Jim Trelease’s take on it in The Read-Aloud Handbook on pages 142-147. (If you’ve never read Trelease, you’re in for a real treat!).

Read on!

Babette

It’s been far longer than I expected, but I’m back! Scroll down for my first post since I left (and my 400th post all together!).

Between surgery (yes, I’m cured! :-) ), summer reading, installation of a new ILS at my library, and gearing up for our move to the new library, posting just kept going to the bottom of the list.

We still have the move coming up with all the packing, unpacking, and adjusting that will entail. I will do my best, though, to post again regularly.

Thanks for hanging out in the meantime!

Babette

This is the most important research report I have read this summer, perhaps even this year.

Got it? The most important. Read it here: Study Sheds Light on Auditory Role in Dyslexia.

It’s extremely hard to find just one quote to highlight. The article is chock full of outstanding points. Here’s one though:

“Dr. Gabrieli said the findings underscored a critical problem for dyslexic children learning to read: the ability of a child hearing, say, a parent or teacher speak to connect the auditory bits that make up words, called phonemes, with the sight of written words. If a child has trouble grasping the sounds that make up language, he said, acquiring reading skills will be harder.”

Isn’t that just so cool? If you’re a children’s librarian, and especially if you are one that’s worked with Every Child Ready to Read over the years, you are jumping up and down just like I am.

They are talking about phonological awareness, that mouthful of a skill that we encourage every time we sing, say a rhyme, or do a fingerplay with kids. Every time we talk, sing, and play with language with kids, we help them develop the ability to hear individual sounds and pieces of words.

Just think about singing, “Down by the station, early in the morning.” The words “station,” “early,” and “morning” are broken apart and each part gets its own musical note. To sing the song, you have to hear each part. Sing it enough, and say enough rhymes with ending “ing’s,” and you can read it years later because you can connect those squiggles on the page with the sound the teacher says and the sound you have heard and know.

It’s the beginning of a new school year. Go forth with confidence, knowing the silliness you do has a tremendous influence on a child’s ability to learn to read later and therefore, his or her future.

Sing on,

Babette

For the most part, most of the time, I keep personal “stuff” off the blog. It’s just not what it’s about.

For you loyal, regular followers, though, you’ve probably noticed I’ve not been quite as regular and productive as I used to be. After more than a year (maybe close to two) of having doctors chasing a “mystery illness” in me, we think we found it! I’ve done my happy dance many times in the last few days! :-)

It’s nothing serious, and it’ll get “fixed” next week. I’m run down to say the least and the doctor wants me to take some time off to really give my body time to recoup.

So I’ll see you in about a month!

Take care,

Babette

I’ve always taken seriously the matter of choice in books, movies, music, all things cultural. Choice plays a great role in motivating readers; kids (and probably adults) want to read more if they get to choose. There is another angle to the choice factor though.

Linda Holmes’ essay on NPR, The Sad Beautiful Fact that We’re All Going to Miss Almost Everything, puts another spin on choice. While not her point, it reminds me of my conviction that life is just too short to read baaaad stories. And for kids, surrounding them with good stories (that they can choose from) increases the probability that they’ll want to read another. A bad story leads to an unrewarding reading experience and can just prove their point–that reading is dumb, boring, and a waste of time.

So how does one determine if a story is good? Two factors are critical. The first is: Where is a child is developmentally (check under the tag Choosing Books to read more articles about this). And the second is: What critical elements does a story contain (or not)?

Kendall Haven in his book Story Proof: the Science behind the Startling Power of Story explains five key elements of good stories, whether for children or adults.

His five are:

  • character,
  • intent,
  • actions,
  • struggles, and
  • details.

Good stories are character driven. A substantive character gives the reader a chance to judge relevancy, emotions, beliefs, actions, and attitudes–and a chance to create meaning. With a flat character, the story just “goes through the motions.”

Intent is about goals and motive, the what and why for the character. Actions are what the character does, the plot, the how. Actions give the story a way to explain and illuminate the characters.

Struggles, like plot or actions, are well known as a story element. The character’s struggles, though, need to be significant. Struggles are against something–a conflict, problem, something internal or external, something real, with something at stake.

Finally, details make all the other elements work. They provide enough concreteness that the reader can fit all the pieces together and remember them through mental imagery.

That’s an incredibly short summary of Haven’s work, and I can’t recommend his book highly enough. On so many levels, it will change the way you look at and evaluate stories. I encourage you, too, though, to take some stories you consider good and check them against that list. You’ll find they have all of the elements. Take some bad stories and check them; you’ll find they are missing one or more of the elements.

Here’s to all the goodness of life!

Babette

Bears, horses, and sausages! Oh my! But it’s what I’ve been doing in storytime the last few weeks, and it’s immensely satisfying to see how much the kids enjoy this mix.

After our opening song, I read The Three Bears. I prefer the Barton version. It’s simply told and the pictures are clear and colorful. The Three Bears is a magical story. I’ve never had a group of kids (from toddlers up through age eight) that weren’t just enthralled with it.

I then tell them we are all going to tell the story again, a different way! That’s when we do the fingerplay, The Three Bears (click here). Because The Three Bears relies so much on sequence, it’s a great story for reinforcing narrative skills. So the second time through the fingerplay, I reinforce it even more by letting the kids “remember” what comes next (bowls, chairs, beds, and bears).

Next book up–Bear Wants More by Wilson followed by more food: Ten Fat Sausages (click here). Bear Wants More is in rhyme so it builds phonological awareness as does Sausages with its rhythm and alliteration. I do it as a chant with the kids clapping on the beat. I hold up my handy-dandy flannel board stand-in (a whiteboard with pieces stuck on with double-sided tape) during the chant.

On it is a frying pan, complements of free clip art, and ten sausages, also from clip art. I print the pictures off, trim them to shape, and add the tape to their backs. The sausages won’t all actually fit in the pan so I fan them across the space above the pan in two groups of five.

We clap, we chant, and on POP, I remove one sausage and on BAM, I remove another. Then I pause and count the sausages and we start again till we get to zero sausages. I always do it a second time (sometimes a third, the kids love it) and when I place the sausages back on the board, I also count aloud.

Finally, I tell the kids I’ve got one more puzzle for them (because the sausages have been a puzzle; you can just see their little wheels a-turnin’ during it). Then we read Are You A Horse by Rash. I try to get straight through this one the first time without too many questions so they can get as much of the flow as possible. And I always quietly hold the last page up for many, many seconds until someone finally gets it and the giggles begin.

It’s not your traditional springtime storytime (except for Bear Wants More) but the kids enjoy it sooooo much.

Hope you do too!

Babette

I despise cancelling any storytime but especially Toddler Time for babies through 3-ish. Most of the kids are between 12-24 months, and I appreciate (and vividly remember) how difficult it is for someone that age to change gears quickly and deal with disappointment.

So I never, ever, ever cancel Toddler Time unless I have to. Which includes getting caught at a specialist’s appointment.  There should have been plenty of time for the appointment (and you know how specialists are; you’ve got to take the appointment they’ve got open). But there wasn’t.

Back at work that day, I learned how the morning had gone without me. There were no tears, no fits, no meltdowns–not even a wimper. Why?

Because the parents stepped in and did it themselves!

They did rhymes, fingerplays, songs, circle games. They even read a book. They did this all with no planning and no advanced warning. And their kids had a great time!

These parents come week after week. They sit in the circle with their children and do all this “silly” stuff with smiles on their faces and excitement in their attitudes. I affirm nearly every week how important the time is for language development–and how they need to do the same outside of the library, at home, in the car, in the doctor’s waiting room, at the restaurant. Learn here and do there is the message. Learn here and do there is the purpose of Toddler Time.

What a terrific bunch of parents!

Babette

I was only eight when Mr. Rogers went to Washington and spoke at this Senate hearing concerning children and television.  I was mostly too old to watch him (except when nothing else was on TV) and it wasn’t many years before I joined the ranks of folks who loved to make fun of him. He did have a very distinctive speaking style. :-)

His sincerity, integrity, and authenticity could not be beat though. He was as real in front of the Senate and a grumpy Pastore as he was in front of a Hollywood award crowd, his own show’s TV cameras, or a flesh and blood child. His manner overshadowed everything else that one might initially want to poke fun at–his speech, his slow style, his puppets, his focus on the simple (but ever so important) events of children’s lives.

I was “reintroduced” to Mr. Rogers in grad school and then later when I had children. He informed my attitude about and understanding of children immensely–especially concerning their feelings and lives.

The first video clip of the Senate hearing is a bit long at 6 minutes, but it really is worth a watch. It starts slowly (just like the man speaking) and then the passion begins to come through–and as a bonus, you get to see Pastore melt.

The second one is a couple of the best minutes of true humility you will ever witness.

These clips will renew your faith in what one person can do and inspire you to be your best in your neighborhood. Grab a cuppa and visit for a few minutes with Mr. Rogers.

Take care, Neighbor!

Babette

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